

Weave Creative is a digital art company that combines art, design, and technology to support business growth and innovation.
Leveraging creative ideas and cutting-edge technology, we provide unique solutions tailored to the needs of various industries.

Digital Art

Projection
Mapping

AR

[ Founder ]
松丸三枝子
Mieko Matsumaru
- Designer / CEO
- Originally from Tokyo, Mieko holds a Master of Science degree in Engineering and Management from the Massachusetts Institute of Technology (MIT) and a Bachelor's degree in Fine Arts from the University of California, Berkeley (UC Berkeley). She started her own business at the age of 19, establishing a design company. Subsequently, she took on executive roles in multiple companies while building Graphnetwork, Inc. After ten years, she moved to the United States to expand the business and founded Graphnetwork, USA. Mieko engages in a variety of businesses in both Japan and the U.S. while also pursuing her artistic activities.
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[ Founder ]
櫻田智敬
Tomotaka Sakurada
- Programmer / CTO
- While studying at Meiji University, Mr. Sakurada started his career as a programmer at a production company and later engaged in a wide range of development tasks, including web production and app development for major companies. In 2002, he co-founded Graphnetwork with Ms. Matsumaru and is currently responsible for backend operations, mainly focusing on server construction. His hobbies are diverse, particularly including coffee, cycling, gaming, and anime. His meticulous nature serves as a driving force for pursuing his varied interests.

ソースフリップ
SRCFLP
- Audiovisual Artist
- SRCFLP was raised in Los Angeles from the age of two and earned a double major in Sociology and Economics from the University of California, Irvine. He explored hip-hop culture and social inequality. At the same time, he built a career as a DJ and participated in various social activities utilizing audiovisual and contemporary art. Since 2020, he has been a researcher at the Spatial Sound Lab at MIT, working on research and dissemination of spatial sound.
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重岩元
Gen Kasaneiwa
- Front-end engineer
- After graduating from the University of California, Berkeley (UCBerkeley), Gen joined Graphnetwork, Inc. as a front-end engineer. Hegained experience in a wide range of fields, including not only codingbut also design, video production, music production, AR/WebAR, 3D modeling,and 3D printing.
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イアン コンドリー
Ian Condry
- Advisor
- Ian is a cultural anthropologist, author, and professor at theMassachusetts Institute of Technology (MIT). He holds a Bachelor’sdegree from Harvard University and a Ph.D. in Anthropology from YaleUniversity. At MIT, he teaches courses on Japanese cultural studiesand anthropology while also serving as the director of the SpatialAcoustics Lab. His published works include Hip-Hop Japan: Rap and thePaths of Cultural Globalization and The Soul of Anime: CollaborativeCreativity and Japan's Media Success Story.
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マイコ スキナー
Maiko Skinner
- Creative Director
- Originally from Hiroshima, Maiko worked as an Operation Executive in Japan-U.S. Navy logistics, overseeing military vessel port visits, coordinating on-site operations, and managing contracts across Japan and Asia. She later moved to the U.S. to pursue a degree in Film Media from UC Berkeley, where she deepened her knowledge of the creative industry. Maiko now manages production projects (video, photography, illustration, events) and provides client and user support as a Program Manager at a design software company, leveraging her diverse background. At Graphnetwork, she holds the role of . Passionate about culture, people, art, films, coffee, and nature, Maiko appreciates the fusion of old and new. She is also dedicated to raising her child with the philosophy of “learning and experiencing together.”
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Members from Graphnetwork and See Em Why K, <br /> both related companies, <br />will also be involved in the Weave Creative project.

Tea Ceremony,
Kyoto Kaiseki, and Digital Art
2024/9/27, 9/28
An event at "Jinpu-an," a nationally registered tangible cultural property that is normally not open to the public, where guests can enjoy tea and kyo-kaiseki cuisine while overlooking digital art and the garden.

CHAI packaging with AR
The packaging for Okinawa’s chai specialty shop, “CHAINEEDUS,” was created by See Em Why K, while Weave Creative handled the animation and AR components.

An AR feature that enhances product knowledge
through an Awamori quiz
Awamori in original bottles designed by See Em Why K,
featuring the three queens of Awamori, the 37th generation.
The sounds of the sanshin and Awamori quizzes can be enjoyed.

Digitizing art created by students from special support schools.
through an Awamori quiz
In a collaborative project with Oita Special Support School,
we converted large paintings created by the students into AR and projected animations onto paper objects made by the students.

Naha Immersive Art Night
With the cooperation of Naha City and Recruit Co., Ltd., the event was held at three locations: Hotel Palm Royal NAHA Kokusai-dori, See Em Why K, and Southwest Grand Hotel.

- Q1. How much does projection mapping cost?
- A. The cost of projection mapping varies greatly depending on the scale and method. For example, projecting onto a 2-meter-high backyard shed and projecting onto a 30-story building involve vastly different equipment and installation methods, which affect the price.
Additionally, factors such as the brightness of the location and the type of video content will determine the appropriate equipment and techniques. Please feel free to contact us. We’ll propose the optimal plan based on your budget.
- Q2. What is projection mapping?
- A. Projection mapping is a technology that projects images onto buildings or objects tailored to their shapes. By using mapping software to create visuals that align perfectly with the object's form, the projected images appear as part of the object itself, producing captivating visual effects.
For example, it can make a building’s wall appear to crumble or add dynamic light and patterns to objects, transforming the entire space into an immersive experience.
- Q3. Can projection mapping be done anywhere?
- A. In principle, projection mapping can be applied almost anywhere, but certain conditions like the surface material, surrounding brightness, and available setup space may impose limitations. We’ll assess the site beforehand to recommend the best approach.
- Q4. How bright does the projector need to be?
- A. The required brightness (measured in lumens) depends on the size of the projection surface and the ambient light conditions. For indoor environments where lights can be dimmed, projectors with 3,000–5,000 lumens may suffice. For outdoor or large-scale projections, projectors with over 20,000 lumens may be necessary.
- Q5. Is outdoor projection mapping affected by weather?
- A. Yes, weather is a critical factor. Protective housing may be needed to shield the projector from rain, strong winds, and other environmental conditions.
- Q6. Can projection mapping be seen during the day?
- A. Daytime visibility is lower due to the brightness of the surroundings. Ultra-high-brightness projectors or the use of dark backgrounds can help improve visibility. Depending on the content and purpose, minimal visibility—such as "a sense of movement"—might still be effective.
- Q7. Can existing projectors be used for mapping?
- A. It depends on the specifications and performance of the projector, but as long as the environment supports mapping software, it’s generally possible. We can recommend equipment tailored to your needs, so please feel free to consult with us.
- Q8. What is 3D projection mapping?
- A. 3D projection mapping uses the shape and depth of objects to create realistic, three-dimensional visual effects. It can make a building appear to transform, providing a dynamic and immersive experience.

- Q1. Can you accommodate limited budgets?
- A. Yes, we can. We’ll propose the best plan based on your budget, scale, and objectives. Please feel free to reach out for a consultation.
- Q2. What determines the cost?
- A. The cost is calculated based on the following factors:<<
●Scale of the projection surface
●Type and quantity of equipment needed
●Complexity of content creation
●Difficulty of installation and operatione
A detailed quote will be provided after an initial consultation.
- Q3. Are content creation fees separate from installation costs?
- A. Yes, they are usually calculated separately. However, we can offer bundled packages for your convenience. We’ll tailor our services to meet your specific needs.

- Q1. How long does it take to complete a projection mapping project?
- A. The timeline depends on the scale and complexity of the project. Smaller projects may take a few weeks, while larger projects could take several months. We’ll provide a detailed schedule during the consultation.
- Q2. What kind of visuals can you create? Is it okay if I don’t have a concrete idea?
- A. Absolutely. Based on your objectives and themes, our creative team will assist you from concept development to video production.
- Q3. Can existing video materials be used?
- A. Yes, existing video materials can be utilized. However, adjustments may be needed to optimize them for projection mapping, so please consult with us beforehand.
- Q4. Can you accommodate limited budgets?
- A. Yes, we can. We’ll propose the best plan based on your budget, scale, and objectives. Please feel free to reach out for a consultation.

- Q1. Who manages operations on the day of the event?
- A. Our specialized staff can handle operations during the event. If you prefer to operate it yourself, we can provide prior training.
- Q2. How are issues during projection handled?
- A. Our team will be on standby during the event to quickly address any issues. Backup equipment can also be provided for added assurance.
- Q3. Can a permanent system be installed for ongoing use?
- A. Yes, we can install permanent systems for regular promotions or exhibits.